Daily Riches: In Praise of Uncertaintly and Doubt (Maria Popova and Wislawa Szymborska)

“Doctors, teachers, gardeners—and I could list a hundred more professions. Their work becomes one continuous adventure as long as they manage to keep discovering new challenges in it. Difficulties and setbacks never quell their curiosity. A swarm of new questions emerges from every problem they solve. Whatever inspiration is, it’s born from a continuous ‘I don’t know.’ In a sentiment of chilling prescience today, as we witness tyrants drunk on certainty drain the world of its essential inspiration, Szymborska considers the destructive counterpoint to this generative not-knowing:

All sorts of torturers, dictators, fanatics, and demagogues struggling for power by way of a few loudly shouted slogans also enjoy their jobs, and they too perform their duties with inventive fervor. Well, yes, but they ‘know.’ They know, and whatever they know is enough for them once and for all. They don’t want to find out about anything else, since that might diminish their arguments’ force. And any knowledge that doesn’t lead to new questions quickly dies out: it fails to maintain the temperature required for sustaining life. In the most extreme cases, cases well known from ancient and modern history, it even poses a lethal threat to society.”

This is why I value that little phrase ‘I don’t know’ so highly. It’s small, but it flies on mighty wings. It expands our lives to include the spaces within us as well as those outer expanses in which our tiny Earth hangs suspended. If Isaac Newton had never said to himself ‘I don’t know,’ the apples in his little orchard might have dropped to the ground like hailstones and at best he would have stooped to pick them up and gobble them with gusto. Had my compatriot Marie Sklodowska-Curie never said to herself ‘I don’t know’, she probably would have wound up teaching chemistry at some private high school for young ladies from good families, and would have ended her days performing this otherwise perfectly respectable job. But she kept on saying ‘I don’t know,’ and these words led her, not just once but twice, to Stockholm, where restless, questing spirits are occasionally rewarded with the Nobel Prize. Such surrender to not-knowing, Szymborska argues as she steps out into the cosmic perspective, is the seedbed of our capacity for astonishment, which in turn gives meaning to our existence…. Granted, in daily speech, where we don’t stop to consider every word, we all use phrases like ‘the ordinary world,’ ‘ordinary life,’ ‘the ordinary course of events’ … But in the language of poetry, where every word is weighed, nothing is usual or normal. Not a single stone and not a single cloud above it. Not a single day and not a single night after it. And above all, not a single existence, not anyone’s existence in this world.” Maria Popova

“I have said things that I did not understand,
things too great for me, which I did not know.”
Job 42:3

Moving From Head to Heart

  • Are you ever “drunk on certainty?”
  • Can you gladly embrace “not knowing?” …doubt?
  • What do your answers say about you?

Abba, help me see past the “ordinary.”

For More: Map by Wislawa Szymborska

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Thanks for following my blog! – Bill

Daily Riches: The Glorious Imperfection of the Present Moment (Maria Popova, Junichiro Tanizaki and Leonard Cohen)

There is a crack in everything. That’s how the light gets in.” Leonard Cohen

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“Unlike the Western conception of beauty—a stylized fantasy constructed by airbrushing reality into a narrow and illusory ideal of perfection—the zenith of Japanese aesthetics is deeply rooted in the glorious imperfection of the present moment and its relationship to the realities of the past…. This temporal continuity of beauty, a counterpoint to the West’s neophilia, is central to Japanese aesthetics. Rather than fetishizing the new and shiny, the Japanese sensibility embraces the living legacy embedded in objects that have been used and loved for generations, seeing the process of aging as something that amplifies rather than muting the material’s inherent splendor. Luster becomes not an attractive quality but a symbol of shallowness, a vacant lack of history:

We find it hard to be really at home with things that shine and glitter. The Westerner uses silver and steel and nickel tableware, and polishes it to a fine brilliance, but we object to the practice… We begin to enjoy it only when the luster has worn off, when it has begun to take on a dark, smoky patina. Almost every householder has had to scold an insensitive maid who has polished away the tarnish so patiently waited for. …We do not dislike everything that shines, but we do prefer a pensive luster to a shallow brilliance, a murky light that, whether in a stone or an artifact, bespeaks a sheen of antiquity.

Tanizaki speaks affectionately of ‘the glow of grime,’ which ‘comes of being touched over and over’—a record of the tactile love an object has acquired through being caressed by human hands again and again.” Maria Popova quoting Junichiro Tanizaki

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My sacrifice, O God, is a broken spirit;
a broken and contrite heart you, God, will not despise.”
Psalm 51:17

“But we have this treasure in jars of clay”
2 Corinthians 4:7

Moving From the Head to the Heart

  • Might you be guilty of “fetishizing the new and shiny?” …of “neophilia?”
  • Does this reading tempt you to think differently about beauty? …aging? …friendship? …marriage? …spirituality?
  • Why would anyone prefer a “luster” to a “brilliance?”

Abba, help me to appreciate “the glow of grime”–especially in myself and my fellow homo sapiens.

For More: In Praise of Shadows by Junichiro Tanizaki

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These “Daily Riches” are for your encouragement as you seek after God and God seeks after you. I hope you’ll follow my blog, and share it. My goal is to regularly share something of unique value with you in 400 words or less. I appreciate your interest! Please leave a question or comment. – Bill (Psalm 90:14)